
Photo credit: Chase Jarvis
MPG is proud to honour the career and artistic accomplishments of one of our most recognizable Messengers, Chalnessa Eames, as she retires from the Pacific Northwest Ballet.
Born in Los Angeles and raised in Bellingham, Washington, where she discovered her love of dance at the age of 5, Chalnessa later moved to Boca Raton, Florida to study at the newly established Harid Conservatory where she and the rest of her class were endowed, in a manner not unlike Dickens’ Great Expectations, with full scholarships from an anonymous donor. A short time later, she traveled to Winnipeg, Canada to study at the Royal Winnipeg Ballet School and would eventually join the company’s corps de ballet upon graduation. A short 5 years later, inspired by principal dancer Olivier Wevers who had also made the move from Winnipeg to Seattle, Chalnessa received a position with the Pacific Northwest Ballet where new challenges awaited her and where, after being away from the age of 14, she was finally able to be close to her family. After initially joining the corps de ballet in 2001 she was later promoted to soloist in 2007.
Although she received her formal education elsewhere, it was at PNB that Chalnessa truly matured as a dancer and created her unique stage persona that was most distinctly defined by the humour, charm and cheeky playfulness that captivated and delighted audiences for the 10 years she spent at the company. A list of favourite ballets in which she danced major roles includes: Rubies, Jardi Tancat, Serenade, Nine Sinatra Songs, In the Night, The Piano Dance and Roméo et Juliette.

Photo Credit: Steve Fus for Twyla Tharp's Ballet 'Afternoon Ball'
From Kent Stowell and Francia Russell, former artistic directors at PNB:
“Chalnessa has been a vital member of the Company since the day she arrived – a versatile, wonderful dancer, a sparkling personality and a favourite of dozens of choreographers. It can truly be said that her absence will be felt onstage and off, especially by the dancers, but also throughout PNB.”
Although the curtain has been drawn on her career at PNB, Chalnessa will continue to work with fellow MPG Messenger Olivier Wevers’ Whim W’Him contemporary dance company as she also takes some time off to plot the next direction her career will take. Whilst in Seattle recently to catch the performance of Whim W’Him’s latest show reSet we had a chance to sit down with Chalnessa to ask her to reflect on a long and storied career:
MPG: What attracted you to ballet in the first place?
CE: Actually, my sisters were taking ballet class to help them with their figure skating and I, as the youngest, just followed along. Little did I know at the precocious young age of 5 that I would be taking the first steps to what would eventually become my life’s calling.
MPG: What are some of your career highlights?
CE: Dancing the lead during the opening night of William Forsythe’s ARTIFACT while I was still in the corps de ballet definitely ranks up there. And performing a world premiere ballet for Twyla Tharp with a great friend and amazing dancer, Charlie Hodges at a gala in Dallas alongside some other ballet greats.
MPG: Favourite ballet to perform?
CE: I loved dancing the lead in George Balanchine’s Rubies which I was able to perform with three different partners and Twyla Tharp’s Afternoon Ball, which was physically the hardest ballet I have ever danced. It was a complete cardio-endurance push!

MPG: What was your best on-stage moment?
CE: Most recently, my last few shows with PNB were especially rewarding wherein I was able to take a few moments while I was dancing and look to the audience and feel so completely at peace with myself as a dancer and proud of my long journey to get where I am today.
MPG: What will you miss most about dancing at PNB?
CE: I will most probably miss spending 9 hours a day with some of my best friends. I have been so fortunate to make such a strong connection with many of my colleagues whom I consider not only friends but also family. As dancers, we move away very young which often takes us away from not only our immediate family but also our extended family. Ballet becomes our family filled with brothers, sisters, cousins and even a few of the crazy aunts and uncles.

Photo credit: Kim and Adam Bramberg, La Vie Photography
MPG: What’s next?
CE: Good question. After my Whim W’Him shows I will be taking a few months off as I have been dancing almost nonstop for nearly 5 years straight. But in the long term, I plan to pursue health and fitness, most likely by starting off with personal training certifications. I think there is so much power in being healthy and fit and I would love to be able to pass that on to others. And who knows? Maybe there are a few more performances left in me!
All of us here at MPG are truly grateful for everything Chalnessa has done for us as a Messenger and wish her the best of luck and a world of success in whatever comes her way next. Bravo on a brilliant career, Chal!